AVIS DE RECHERCHE | Medial | Medium in Walter Benjamin’s Philosophy – Appel à contributions

L’APWB est heureuse de se faire l’écho de l’appel à contribution lancé pour les Journées d’études “MEDIAL | MEDIUM IN WALTER BENJAMIN’S PHILOSOPHY” organisées prochainement à Paris par l’un des membres de notre jury, Stefano Marchesoni.


10th Anniversary of the International Workshop Series:

MEDIAL | MEDIUM
IN WALTER BENJAMIN’S PHILOSOPHY

UNIVERSITÉ SORBONNE NOUVELLE – PARIS 3 PARIS, 14-15 JUNE 2024

Ich denke an die Farben der Kinder. Wie ist sie dort überall das rein Empfangene, der Ausdruck der Phantasie. […] Und scheint es dir nicht, daß diese eigene Welt der Farbe, die Farbe als Medium, als Raumloses, vortrefflich durch Buntheit dargestellt war? (Walter Benjamin, Der Regenbogen, 1915)

I am thinking of children’s colors. How, in childhood, it is everywhere received in a pure manner as the expression of fantasy. […] And doesn’t it appear to you that this, the proper world of color, color as a medium, as spaceless, was best presented by motliness? (Walter Benjamin, The Rainbow, 1915)

From the very beginning of his intellectual itinerary, Walter Benjamin was deeply fascinated by a pivotal element of experience that he singled out as “the medial”. Especially in his essay on language (1916) we can clearly notice how he invites us to shift our perspective from the contents of experience to its intimate and immediate texture. One could argue that this might be seen as the origin of Benjamin’s own philosophical research: throughout his remarkably diverse writings he consistently comes back to the question of the medial – although this happens mostly in an implicit manner. It is precisely in his non-instrumental conception of language as “medium” of communication, as well as in his fascinating idea of a “politics of pure means” that we can find the origin of his unyielding interest for mass media like radio, photography, and film.

This two-day workshop will develop along two main axes: first, we will try to shed some light on the origins of the concept of the “medial” by going through some of the early writings on phantasy, language, and the Romantic theory of art; then, we will try to understand how Benjamin’s later reflections on the “medium of perception”, as well as on various forms of media (including newspapers, radio, photography, cinema, but also architecture, urban landscapes, and advertising), are inspired by his peculiar idea of the medial.

Since the event focuses on close-reading sessions, some prior knowledge of Benjamin’s writings is strongly encouraged. Bilingual, German-English copies of the texts will be provided. To facilitate the discussion, the number of participants for this workshop is limited.

For this workshop we will be joined by Sigrid Weigel.
If you are interested to participate, please send a message and a brief biographical note to the organisers before 15 April, 2024.

Organisation: Stefano Marchesoni (Paris), Nassima Sahraoui (Frankfurt), Sebastian Truskolaski (Manchester/Berlin)Contact: marchesoni.stefano@gmail.com, nassima.sahraoui@gmx.org, sebastian.truskolaski@manchester.ac.uk

In collaboration with Antonio Somaini (Université Sorbonne Nouvelle, Paris), the Walter Benjamin Archiv (Akademie der Künste, Berlin) and the Frankfurt Benjamin Lectures (Thomas Regehly).



Citer ce billet
Prix WB (2024, 25 mars). AVIS DE RECHERCHE | Medial | Medium in Walter Benjamin’s Philosophy – Appel à contributions. Prix Walter Benjamin. Consulté le 20 juin 2024, à l’adresse https://doi.org/10.58079/w32c

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